Wow! Wowee wow!
I might be hyperventilating as I write this, but I’m so thrilled to share the news with you. I’ve won a major award! I’ve won the SCBWI Spark Award.
This is an incredible honor because of who it’s from and because of what it represents. It’s given by the Society of Children’s Book Writers and Illustrators, which is the worldwide professional organization for creators of literature for children and young adults. Their Spark Award recognizes excellence in independently published work.
And God Awful Rebel won! I’m so incredibly happy about this. God Awful Rebel is the book I’ve shared with all of you through progress reports and excerpts. So you were along with me on the journey — and many of you encouraged me along the way!
God Awful Rebel is my latest book, the third and final title in my God Awful series. As it was the final piece, it had a lot of work to do. And I’m especially pleased with how it wrapped up the series. I believe it encompassed my best fiction writing to date. The God Awful series was a wild ride, and this award puts a gorgeous bow on the top.
If you haven’t yet picked up God Awful Rebel, you now have added incentive. You can get it HERE. And please share this post with someone who you think might enjoy the tale of a not-so-likeable Cupid who loses his place in Olympus and works his way back — and into our hearts.
I have immense gratitude as I look back at 2019. I could write long tomes about the many blessings, joys, and stations I’ve experienced this year, but I often think simpler is better. And so on this holiday, I’ve reflected on my own and the journeys of my loved ones, as such reflection does us good.
I haven’t posted much this year. The reasons are many, and most are very good:
*I put out my latest book this year.
*My husband and I put on another wonderfully successful, week-long illustration workshop.
*Our eldest graduated from college, while our other children carry on with their own higher education.
*Travel, international and domestic, for which I still pinch myself in disbelief because it’s such a grand thing.
*Advancement within SCBWI (the Society of Children’s Book Writers and Illustrators) such that I now run the state chapter with my co-leader – and all the planning and dedication that position involves.
*Being reminded daily just how important is our health, even as health problems hit those I love.
*New work, new priorities, new goals, a clearer vision.
I’ll have more on that last line in 2020. For now, just know that I appreciate all you who read my words, check in with news of your own, and try to do good in the world. My thanks.
I’ve been getting more heavily involved with the Society of Children’s Book Writers and Illustrators lately. Last year, I was honored to be named Wisconsin’s (and the nation’s) first Indie/Self-Publishing Coordinator. In that role, I put on free programming that helped members better understand publishing for themselves.
That role will now go to someone else as, I’m so honored to say, I’ll be joining Wisconsin’s leadership team as their assistant regional advisor. That means I’ll be helping the regional advisors who set up and oversee all state and regional programming. It’s a great responsibility, one I take seriously. As for the I/SP position, with the wealth of talent we have here, I’m sure the work will go to supremely able hands.
If you write or illustrate kids’ books, you really ought to look into this organization. SCBWI is the premier international professional association for authors and illustrators of books for children and young adults. You want professional development? You come here.
I’d like to thank SCBWI for all it provides: education, professional development, networking, mentoring, community, and support. It’s made all the difference for me in this wild and wacky adventure of kid lit.
Long time no talk, but I have a really great reason. I’ve been busy with beta readers and final edits, and I’m thrilled to announce that Cupid, the god of love, is returning in GOD AWFUL REBEL, the third and final book in the God Awful series of books! YAAAAAAYYYY!
Aaaaaand, here you have it! The cover reveal!
Sssssseriously ominoussss, don’t you think?
Here’s its beautiful jacket blurb:
I am so thrilled to have finished this series, which was a big endeavor and personal goal. To have the series end so neatly and with such a satisfying ending, well, it brings a smile to my face just thinking about it. And I really want to thank all you readers who’ve joined my book world and had such great things to say about it.
GOD AWFUL REBEL releases in March, but you can pre-order it here: http://www.threepointspublishing.com/product/god-awful-rebel-by-silvia-acevedo-hardcover/
And in honor of its release, the first two books in the series have a special price. It’s a great deal, so check it out, too: http://www.threepointspublishing.com/product/god-awful-loser-and-god-awful-thief-bundle/
My launch party for GOD AWFUL REBEL is scheduled for late March 2019. I’ll have the exact date soon and will let you know in another announcement. I hope to see many of you there! Until then, set your sights for a fun read at the end of March. Thanks, everyone!
As SCBWI-WI’s Indie/Self-Publishing Coordinator, I get asked (a lot), “What’s the difference between indie and self-publishing? Aren’t they interchangeable?”
The short answer is no, they are not interchangeable. The long answer is much more fluid as the publishing industry changes due to the pangs of financial and structural upheaval.
Once upon a time, indie publishing used to meant traditional publishing through a small, independent publisher, that is, not one of the Big Five houses. The small press would, like another other traditional publishers, pay an author for rights to publish their work while assuming the financial risk of publication. Today, that form of publishing, regardless of the size of the publisher, is almost universally called traditional publishing. Very few people still use the term indie publishing this way.
So what does the term indie publishing mean today? It’s now a catch-all term for the vast array of publishing options that are not traditional publishing.
Indie publishing can indeed include self-publishing, particularly for those authors who have created their own publishing houses for current and future projects. But indie publishing also encompass the wide array of options between traditional publishing and self-publishing.
An example of indie publishing is “hybrid publishing,” also called “author-assisted publishing.” Hybrid publishers often look like a traditional publishing house with a formal submission process, editorial staff, and curated lists. However, hybrid publishers do not provide the payroll. They rely on creators paying for some or all of the services involved in publishing the work in exchange for higher royalties.
SCBWI strongly advises authors to research publishers. While some hybrid publishers are well regarded, others are really predatory operations masquerading as traditional publishers. To complicate matters and add to the confusion, even some well-respected traditional publishers have created hybrid-publishing imprints through which they’ve been brokering deals for years. And recent reports indicate that literary agents are getting in on indie publishing, too. The lines blur more each day.
Self-publishing is much easier to distinguish. It is the model in which the author maintains total creative control by taking all financial risks. Self-publishers often get creative to accomplish all this. They may create a crowd-funding campaign to garner reader support and fund the production of their works (like I did for my first book). They might create their own publishing company for current and future projects (again, like I did). They may harness the power of an established publishing platform or partner with a printer to manufacture the books themselves (I chose offset printing through a manufacturer.). They might work out distribution deals (agai- oh, never mind) and schedule book tours. No matter the means to their end, self-publishers publish the work themselves and may or may not pay others with specialized skills to help them along the way so that the final product is not attached to a publisher other than themselves.
With the myriad of options out there, I can’t help but feel that we’re experiencing a golden age of publishing, one in which creators are empowered as never before to get their work out into the world and into the hands of an entertainment-loving public.
I am super excited that my husband’s and my “Ink Drawing Techniques DVD & Art Book” Kickstarter is LIVE! It’s already 77% funded in just 7 hours. If you or someone you know loves ink drawing, then this DVD and art book is for you.
Please visit the following link to pledge/pre-order.
Some background: my hubby, Jeff Miracola, is a professional illustrator who also teaches hundreds of other artists through his popular YouTube channel and in-person art retreats. I’m videographer of the series and either the disembodied voice or the on-camera partner who asks questions.
Please consider pledging and share this post with your friends.