What’s Hot? The Election!

     On this Election Day, I joined WTMJ-TV Anchors George Mallet and Courtny Gerrish and WTMJ-AM Host Jeff Wagner on the show’s “What’s Hot” segment to talk over election- and voting- related issues.

     Hot Topic Number One: How foreign countries view the U.S. election and hope for a “less arrogant America.” My take? See for yourself:



     Hot Topics Number Two and Three: Whether the state of Wisconsin should require voters to show a photo ID to vote and whether Republican Vice Presidential Candidate Sarah Palin was poorly dressed at the polls, considering the controversy over her wardrobe costs. My thoughts here:



     Lots to say on all those issues, but they can’t be said now. Election results are pouring in!

You — Go Vote!

Vote Pin     In about nine hours here, the polls will open for Election Day 2008. Don’t worry, no push here for whom to vote.

     I will say, though, as a journalist, I’ve been appalled at low voter turnout on some elections. Those are usually the smaller local elections as opposed to national presidential ones. And while some experts are predicting 75 percent turnout tomorrow (It was 64 percent in 2004 and 60 percent in 2000, according to the U.S. Census Bureau.), it’s still amazing to me that roundabouts a third of the nation lets others choose their leaders; leaders who will have an impact on almost every major aspect of their lives over the next four years.

     For some, not voting is just an expression of their cynicism over the whole process. I say, sure, leaders can’t make everything perfect for all of us, but they do influence the world around us and shape our futures. I say, it’s worth it to do your best to select one that you feel will do well by you. Don’t be one of those who is censored — silenced — by themselves.

     So go vote! Make yourself a force to be reckoned with!

“Welcome” News

Jeff Miracola Morning Blend     There’s quite a bit of news to report about Welcome to Monster Isle, the picture book illustrated by Jeff Miracola, my hubby.

     The book’s been distributed and is now available on bookstore shelves! In the Milwaukee area, you can find copies at independent bookstores such as Harry W. Schwartz. You can also find a list of convenient retailers at monsterisle.net, where you’ll also discover extras such as coloring pages.

Morning Blend Pumpkin     More news: Today Jeff was a guest on WTMJ’s local TV talk show The Morning Blend. Hosts Alison de Castro and Molly Fay talked with Jeff about the book, his previous works, and what’s next (Click here to see the interview.). I hung in the wings, took pictures, and generally took up space. 🙂 Well, I also chatted with former colleague and TMB Executive Producer Kim Buchanan, whose boys are diggin’ the art.

     And speaking of which, thanks so much to everyone who’s contacted us to say how much their children are enjoying the book. It’s so nice to hear and makes Jeff so happy.

Ages & Illos

Julie Bowe     I’ve been posting for several days now on the speakers at SCBWI-WI’s fall retreat. The two I’ll highlight today were informative and funny, and their ideas were excellent.

     Author Julie Bowe started her session with prompts to get us thinking back to our childhood selves. We’re talking thoughts such as, “It makes me so mad when … ” or “I love it when … ,” and we were to complete the sentence as if we were our 3rd-to-5th grade selves. That was a fun little mental vacation back to my elementary-school playground (I can still remember the concrete tubes we climbed on.). The idea was to mentally return to the age of your protagonist, an absolute necessity if your writing is to resonate with that group of readers. Julie took us through fantastic research highlighting the physical, intellectual, emotional, and social development of older elementary-school kids. Armed with this knowlegdge, authors can have their protagonists meet and resolve their own problems within their ability and intellectual capability.

Henry Cole     Illustrator Henry Cole took us from rough sketches to final art on several of his books. His overhead projections showed how illustrations progress, how much they can change, and how very much emotion they evoke. We remember the art of our favorite picture books, and great art stays with us forever.

     Well, great books in their totality stay with us forever, and no doubt kids who’ve enjoyed Julie’s and Henry’s works would count their books among them.

Economy of Language

Stacy Cantor    The “economy of language” is how one guest at the retreat summed up children’s picture books. Associate Editor Stacy Cantor of Walker Books for Young Readers, shown right, made us all think about just how tightly we must write for this kind of book. She suggests 300 – 1,000 words. She cited Maurice Sendak’s Where the Wild Things Are at 338 words.

     As someone who’s used to writing news, I’m familiar with the techniques of slashing and burning copy. Stacy’s suggestions fit with news as much as picture books, but let’s focus on the latter here.

     She suggests authors introduce the characters and conflict early in the story, preferably on page one. Each sentence should progress the story, and repetition should be employed only if truly necessary. Lastly, keep in mind the mentality of the child and the creative license of the illustrator, who will tell half the story visually.

     Stacy showed an original manuscript of a picture book and the subsequent markings and revisions made before publication. That little gem was wonderfully illustrative; less is more.

A Story Primer

Linda Sue Park     Pull out your English grammar book because it’s time to review story structure. Yay, yippie, I eat this stuff up! 🙂 Here we go…

     Speaking at the SCBWI-WI fall retreal, Newbery Award winner Linda Sue Park admits that she doesn’t really know her writing process. She says she reads so much that plot, for her, is innate; automatic. And she’s read enough and written enough to know good work when she sees it.

     So first, a bit on structure or, as Linda puts it, how to tell the story. There’s macro-structure, that is, the method used to tell the story; through letters (think C.S. Lewis’ The Screwtape Letters), poetry, etc. Then there’s micro-structure, that is, point of view, first or third person, past or present tense, etc. Linda makes a strong case against first person present (I run away) because it’s meant to showcase repetitive or recurring action, whereas third person is the traditional method of storytelling and one she calls the hallmark of good writing.

     Next, Linda gave great advice on voice. She finds it helpful to think of her narrator as a person instead of a disembodied voice with a motive to tell the story. That doesn’t mean the narrator must be reliable nor serious; (s)he could be comical or ironic. Linda nails this down before starting.

     Lastly, Linda spoke of scenes, defined as progress toward the quest or impediments blocking the way. Writing them in a sentence helps narrow them. Revisions are your friend.

     Honestly, I could have listened to her talk about story structure and writing for hours. Her writing is clear evidence that she knows her craft.

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