Identifying the Market

     As I’d gone through the process of thinking about, and then writing, stories over the years, I’d asked myself the question many agents and publishers say that authors are to consider: “Where does your work fit in the market?”

     Many books / websites / interviews from these professionals and many trade discussion boards assure authors that this is something all writers are supposed to think about, especially if they hope to get their work published by a publishing house. Authors are supposed to identify the single genre of their work, understand the demand (or lack thereof) for that work, and then associate their work with other works already on the shelf.

     I once found myself troubled with those requirements. Yes, authors should be able to determine such basics as the genre, I told myself; yet, I hated to associate my work with those of others ( “My book falls between This and That on the shelves.” or “It’s a cross between This and That.” ), never mind that those other works obviously passed enough hurdles to actually land on the bookstore shelves.

     It was vanity, I suppose, to not want to label oneself or link one’s work with that of another, even though so very many stories are revisions and offshoots of others — or greatly influenced by them. We just don’t ever want to admit it.

     So I was forced to recognize that even if one didn’t want to stamp a label on her work, it is an inevitable necessity. How is the agent or publisher to know what they’re being asked to consider if the author herself fails to identify her work in a clear and concise manner? They can’t, obviously, without reading it. Therefore, the author would be asking people with very limited time to find the answer on their own without her help.

     Good luck, I figured. The request wasn’t so invasive, after all.

Ahhhh — Formatting

     There is just something so wonderful about formatting a manuscript. I wouldn’t have thought it possible before going through the process. Since then, I’ve found I love it.

     Formatting all those hundreds of pages means I’ve finally hit the final stages. Formatting is making my manuscript presentable for others to judge. I’m making the package pretty.

     To be sure, I understand that formatting is not the most important step; that honor would go toward actually creating a great story. We all know that proper formatting won’t sell an inferior manuscript.

     Still, it’s invigorating to see all that hard work put into a truly professional package that can be shown with pride. Pride. In the end, it’s what the whole “pretty package” thing is all about.