Test Readers

Trash     I’ve finished rewriting an earlier manuscript that needed work, and it’s now at the stage of being reviewed by test readers. That’s a bit unnerving because you never know how people will view your work, but it’s also really useful and kind of fun to see their take on certain scenes and twists of plot. Test readers have fresh eyes that, let’s face it, authors lack, as they’ve been living with the project forever.

     I’ve got a simple method. I ask readers to write along the margins whatever pops into their head. If a section made them smile, I ask them to draw a smiley face. If they didn’t understand, put a question mark or ask a question. If a section’s boring, say so! If the readers are simply gripped by the amazing awesomeness of the story, well, congratulations are in order. Yay, me! 🙂 No matter how the comments go, I need honesty here. I need to know what works. So far, my test readers have been great at telling me like it is, which is exactly what I need!

     I found an interesting article about test readers here at the American Book Publishing site. Enjoy, and thanks to all you test readers out there who make good books better!

It’s Nice to Be Represented

InkWell Management     I’m really pleased to announce that I now have a literary agent to help guide my career, the exceptionally professional and wonderfully warm Kimberly Witherspoon of Inkwell Management. We’re working on a very exciting project together, which I’ll explain as it progresses.

     You can learn more about Inkwell here. They’ve got wonderful agents and great books. Pick up some of their work and see for yourself.

What I’m Reading — Albeit Slowly

The Last Olympian     It just came out Tuesday and, so far, it’s a really fun read. I’m a little more than 100 pages into The Last Olympian, the final book in the Percy Jackson & the Olympians series, written by Rick Riordan. My daughter and I have enjoyed reading the series together, and this one looks like it’ll be action-packed.

     I’m taking a lot longer to read this one than I had the others because, happily, I’m under deadline, but I’m sure I’ll finish it soon and enjoy it as much as the rest.

The Graveyard Book   Another book which I just loved and read, oh, probably six months ago now, was The Graveyard Book by Neil Gaiman. It won the John Newbery Medal, the most prestigious writing award for American children’s literature. Such a strange and fantastical and gripping story! A feature film of another of his books, Coraline, is out in theaters now, so those who aren’t familiar with his fabulous stories can become so.

     If you like contemporary children’s literature, you can’t go wrong with these!

SCBWI-WI Spring Luncheon 2009

     All the rain we had here in southeastern Wisconsin would have made today the perfect day to curl up with a good book. Instead, however, I had the great pleasure of previewing books about to be released, talking about books, mingling with some of the state’s best authors, seeing old friends, and making new ones at the SCBWI-WI Spring Luncheon. The annual event brings Wisconsin authors and illustrators together to share lunch and hear from a professional in the publishing world.

Spring Luncheon 2009

     Our guest speaker was Kendra Levin, editor at Viking Children’s Books, which is an imprint of Penguin. Kendra’s shown left, and I’m on the right.

Kendra Levin and Silvia Acevedo     She spoke on a slew of issues, including how the economy is affecting acquisitions, which I found particularly interesting. Kendra assures us that publishers are still acquiring books (after all, that is what they do), although they’re being pickier and taking fewer risks. As such, she encourages authors to aim for specificity in their work: in hook, plot, target audience, and, later, the agent or publisher to which you submit.

     Good talk and very encouraging.

L-L-Luncheon

     I’m looking forward to seeing some friends next Saturday at the SCBWI-Wisconsin Annual Spring Luncheon. The event brings together writers and illustrators for lunch and conversation with a professional in the publishing biz. This year, the guest speaker is Kendra Levin, editor at Viking Children’s Books. Take a look at their titles, and you’ll be duly impressed.

     It’ll be great to reconnect with this talented group and recharge for the next bout of writing.

Yeah! Getting Closer!

     It’s been a great week. A respected figure in publishing is interested in turning one of my works into a series, and we’re moving ahead on that path. There are still revisions to be made, but it’s a very promising step that I’m pleased to share with you all!

     Also, my young adult novel is coming along nicely. I’ve gotten some excellent feedback from my critique group and have incorporated quite a few of their suggestions into the manuscript. Extra eyes really do improve the work.

     That’s the latest! Happy writing!

Wow, 2009 Already!

2009     Okay, I know that I sound like an old fuddie duddie when I say, “Oh my, where did the time go? Another year come and gone!” Well, dangit, that’s exactly how I feel, and I just cannot believe that another year’s rolling ’round.

     And what a historic year it was. New leaders. World changes. So, the eternal question. How did things change in your world? Did you accomplish your goals this year? Are you afraid to look?

     I didn’t finish my next novel, but I did get far in it, which was my stated goal this year. It sure would have been nice to finish it, though. *Sigh.* And I’m planning on revamping a past work that’s garnering some interest, so there’s promising work ahead.

     Here’s to wishing you and yours a great 2009. Much happiness and many blessings.

Everyone’s a Critic

A+     But not everyone does it well. There are angry critics who reject everything they see. There are unhelpful critics who expound without explanation. There are sunshiny, happy critics who see toil behind every work and inevitably praise every effort. Finally, there are objective, helpful critics who judge a work systematically and with professionalism.

     I’m in a crit group that’s working on our style of critique, and one member helpfully suggested author Victory Crayne’s detailed method for critiquing fiction, found here. I liked its itemized, blow-by-blow approach to offering truly helpful critiques. Nicely done and worth a look!

Ages & Illos

Julie Bowe     I’ve been posting for several days now on the speakers at SCBWI-WI’s fall retreat. The two I’ll highlight today were informative and funny, and their ideas were excellent.

     Author Julie Bowe started her session with prompts to get us thinking back to our childhood selves. We’re talking thoughts such as, “It makes me so mad when … ” or “I love it when … ,” and we were to complete the sentence as if we were our 3rd-to-5th grade selves. That was a fun little mental vacation back to my elementary-school playground (I can still remember the concrete tubes we climbed on.). The idea was to mentally return to the age of your protagonist, an absolute necessity if your writing is to resonate with that group of readers. Julie took us through fantastic research highlighting the physical, intellectual, emotional, and social development of older elementary-school kids. Armed with this knowlegdge, authors can have their protagonists meet and resolve their own problems within their ability and intellectual capability.

Henry Cole     Illustrator Henry Cole took us from rough sketches to final art on several of his books. His overhead projections showed how illustrations progress, how much they can change, and how very much emotion they evoke. We remember the art of our favorite picture books, and great art stays with us forever.

     Well, great books in their totality stay with us forever, and no doubt kids who’ve enjoyed Julie’s and Henry’s works would count their books among them.

Economy of Language

Stacy Cantor    The “economy of language” is how one guest at the retreat summed up children’s picture books. Associate Editor Stacy Cantor of Walker Books for Young Readers, shown right, made us all think about just how tightly we must write for this kind of book. She suggests 300 – 1,000 words. She cited Maurice Sendak’s Where the Wild Things Are at 338 words.

     As someone who’s used to writing news, I’m familiar with the techniques of slashing and burning copy. Stacy’s suggestions fit with news as much as picture books, but let’s focus on the latter here.

     She suggests authors introduce the characters and conflict early in the story, preferably on page one. Each sentence should progress the story, and repetition should be employed only if truly necessary. Lastly, keep in mind the mentality of the child and the creative license of the illustrator, who will tell half the story visually.

     Stacy showed an original manuscript of a picture book and the subsequent markings and revisions made before publication. That little gem was wonderfully illustrative; less is more.